Jeffrey A. Okun most recently completed work on 20th Century Fox’s Oscar nominated film, Hitchcock, The Watch and Percy Jackson 2, as well as several other high-profile projects. He is known for creating ‘organic’ and invisible effects, as well as spectacular ‘tent-pole’ visual effects that blend seamlessly into the storytelling aspect of the project, and has won the VES Award for Outstanding Supporting Visual Effects for his work on The Last Samurai. Okun has also delivered wide-ranging effects in award winning films such as Blood Diamond, Stargate, Sphere, Red Planet, Deep Blue Sea, Lolita and The Last Starfighter. Additionally, he oversaw the rush 3D conversion of Clash of the Titans.
As VES Board Chair, Okun has fostered a global community and focused attention on bringing business and creative education to artists, facilities and studios. Under Okun’s leadership the VES was a key player in the creation of a worldwide software anti-pirating alliance with the US Government to insure that all facilities have a fair and level playing field from which to bid.
Okun created the visual effects tracking and bidding software that is in wide use within the industry today, as well as the revolutionary visual effects techniques dubbed the "PeriWinkle Effect" (an underwater blue screen technique) and the "Pencil Effect” (accurately predicts the final visual effects count and budget). He also created and co-edited the VES Handbook of Visual Effects, an award-winning reference book covering all aspects of creating visual effects, techniques and practices.
Okun is a member of the Visual Effects Branch of the Academy of Motion Picture Arts & Sciences, British Academy of Film and Television Arts (BAFTA), the Academy of Television Arts and Science, and an associate member of the American Society of Cinematographers (ASC).